Celebrated  photographer, Rocco Ancora previews the new Canson® Infinity ARCHES 88 paper.

Presentato da Rocco Ancora in IngleseInglese Vedi la sua galleria Vedi la sua galleria
Bien choisir son papier photo présenté par Antonio Gaudencio Bien choisir son papier photo présenté par Antonio Gaudencio
Presentato da Antonio Gaudencio
Choosing a paper : Canson® Infinity Platine Fibre Rag Choosing a paper : Canson® Infinity Platine Fibre Rag
Presentato da Sarah Edmunds Anglais
Introducing the New Somerset Enhanced Satin Paper Introducing the New Somerset Enhanced Satin Paper
Presentato da Sarah Edmunds Anglais
How the New Somerset Enhanced Papers Are Made How the New Somerset Enhanced Papers Are Made
Presentato da Harwood King Anglais
Introducing the New Somerset Enhanced Digital Fine Art Papers Introducing the New Somerset Enhanced Digital Fine Art Papers
Presentato da Sarah Edmunds Anglais
CHOOSING A PAPER : CANSON® INFINITY ARCHES® AQUARELLE RAG BY ROCCO ANCORA CHOOSING A PAPER : CANSON® INFINITY ARCHES® AQUARELLE RAG BY ROCCO ANCORA
Presentato da Rocco Ancora Anglais
CHOOSING A PAPER : CANSON® INFINITY BARYTA PRESTIGE II BY ROCCO ANCORA CHOOSING A PAPER : CANSON® INFINITY BARYTA PRESTIGE II BY ROCCO ANCORA
Presentato da Rocco Ancora Anglais
CHOOSING A PAPER : CANSON® INFINITY ARCHES® BFK RIVES PURE WHITE BY ROCCO ANCORA CHOOSING A PAPER : CANSON® INFINITY ARCHES® BFK RIVES PURE WHITE BY ROCCO ANCORA
Presentato da Rocco Ancora Anglais
CHOOSING A PAPER : CANSON® INFINITY ARCHES® BFK RIVES BY ROCCO ANCORA CHOOSING A PAPER : CANSON® INFINITY ARCHES® BFK RIVES BY ROCCO ANCORA
Presentato da Rocco Ancora Anglais
CHOOSING A PAPER : CANSON® INFINITY BARYTA PHOTOGRAPHIQUE II BY ROCCO ANCORA CHOOSING A PAPER : CANSON® INFINITY BARYTA PHOTOGRAPHIQUE II BY ROCCO ANCORA
Presentato da Rocco Ancora Anglais
Antonio Gaudencio évalue le nouveau papier beaux-arts digital Canson® Infinity Baryta Prestige II Antonio Gaudencio évalue le nouveau papier beaux-arts digital Canson® Infinity Baryta Prestige II
Presentato da Antonio Gaudencio Français
Choosing a paper : Canson® Infinity Baryta Prestige II by Chris CEASER Choosing a paper : Canson® Infinity Baryta Prestige II by Chris CEASER
Presentato da Chris Ceaser Anglais
Dix questions autour du papier d'impression photo Dix questions autour du papier d'impression photo
Presentato da Antonio Gaudencio Français
Choosing a paper : Canson® Infinity Baryta Photographique II Matt by Chris CEASER Choosing a paper : Canson® Infinity Baryta Photographique II Matt by Chris CEASER
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson® Infinity ARCHES® BFK Rives by Chris CEASER Choosing a paper : Canson® Infinity ARCHES® BFK Rives by Chris CEASER
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson® Infinity ARCHES® 88 by Chris CEASER Choosing a paper : Canson® Infinity ARCHES® 88 by Chris CEASER
Presentato da Chris Ceaser Anglais
Artistic expression through paper choice by Rocco Ancora Artistic expression through paper choice by Rocco Ancora
Presentato da Rocco Ancora Anglais
Les Walkling reviews the new Canson Infinity inkjet paper Les Walkling reviews the new Canson Infinity inkjet paper
Presentato da Les Walking Anglais
Les Walkling reviews the new Canson Infinity Baryta Matt II Les Walkling reviews the new Canson Infinity Baryta Matt II
Presentato da Les Walking Anglais
Antonio Gaudencio évalue les nouveaux papiers beaux-arts digital de la gamme ARCHES® Antonio Gaudencio évalue les nouveaux papiers beaux-arts digital de la gamme ARCHES®
Presentato da Antonio Gaudencio Français
Antonio Gaudenico nous donne un aperçu des nouveaux papiers beaux-arts digital de la gamme ARCHES® Antonio Gaudenico nous donne un aperçu des nouveaux papiers beaux-arts digital de la gamme ARCHES®
Presentato da Antonio Gaudencio Français
Resumen de la gama Canson Infinity Resumen de la gama Canson Infinity
Presentato da Cyrille Bertolone Espagnol
Leo Faria comenta sobre o ARCHES® 88 Leo Faria comenta sobre o ARCHES® 88
Presentato da Leo Faria Portugais
Leo Faria comenta sobre o ARCHES® BFK Rives® Leo Faria comenta sobre o ARCHES® BFK Rives®
Presentato da Leo Faria Portugais
Leo Faria analisa o novo portfólio de ARCHES® Leo Faria analisa o novo portfólio de ARCHES®
Presentato da Leo Faria Portugais
Sanjay Jogia talks about ARCHES® BFK Rives® Pure White Sanjay Jogia talks about ARCHES® BFK Rives® Pure White
Presentato da Sanjay Jogia Anglais
Sanjay Jogia previews the new papers from ARCHES® Sanjay Jogia previews the new papers from ARCHES®
Presentato da Sanjay Jogia Anglais
Cheryl Walsh reviews the new ARCHES® Aquarelle Rag Cheryl Walsh reviews the new ARCHES® Aquarelle Rag
Presentato da Cheryl Walsh Anglais
Cheryl Walsh reviews the new papers from ARCHES® Cheryl Walsh reviews the new papers from ARCHES®
Presentato da Cheryl Walsh Anglais
Cheryl Walsh previews ARCHES® 88 Cheryl Walsh previews ARCHES® 88
Presentato da Cheryl Walsh Anglais
Cheryl Walsh talks about ARCHES® BFK Rives® Cheryl Walsh talks about ARCHES® BFK Rives®
Presentato da Cheryl Walsh Anglais
Choosing a paper : Canson Rag Photographique 310gsm Choosing a paper : Canson Rag Photographique 310gsm
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson Platine Fibre Rag Choosing a paper : Canson Platine Fibre Rag
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson Baryta Prestige Choosing a paper : Canson Baryta Prestige
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson Baryta Photographique II Choosing a paper : Canson Baryta Photographique II
Presentato da Chris Ceaser Anglais
Choosing a paper : Canson Edition Etching Rag Choosing a paper : Canson Edition Etching Rag
Presentato da Chris Ceaser Anglais
Paper choice Paper choice
Presentato da Cheryl Walsh Anglais
Permanence and Longevity Permanence and Longevity
Presentato da Robert Rodriguez Jr Anglais
History & Heritage History & Heritage
Presentato da Robert Rodriguez Jr Anglais
Choosing papers Choosing papers
Presentato da Robert Rodriguez Jr Anglais

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  • ARCHES® 88

    Realizzata in cotone al 100%, presenta una finitura superficiale ultra liscia e una sensazione morbida e vellutata al tatto. La carta ha un tono bianco puro ed è completamente priva di azzurranti ottici (OBA).
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