Aquarelle Rag 240gsm | |||
---|---|---|---|
Reference | Format | Packaging | |
206121023 | 8.5" x 11" | Box - 25 sheets* | |
206121024 | 11" x 17" | Box - 25 sheets* | |
206121030 | 13" x 19" | Box - 25 sheets* | |
206121026 | 17" x 22" | Box - 25 sheets* | |
206121028 | A4 | Box - 25 sheets | |
206121029 | A3 | Box - 25 sheets | |
206121030 | A3+ | Box - 25 sheets | |
206121031 | A2 | Box - 25 sheets | |
206122005 | 24" x 50' 0.610 x 15.24m |
1 Roll - 3" (7.62cm) Core | |
206122006 | 36" x 50' 0.914 x 15.24m |
1 Roll - 3" (7.62cm) Core | |
206122007 | 44" x 50' 1.118 x 15.24m |
1 Roll - 3" (7.62cm) Core |
Aquarelle Rag 310gsm | |||
---|---|---|---|
Reference | Format | Packaging | |
206121011 | 8.5" x 11" | Box - 25 sheets* | |
206121012 | 11" x 17" | Box - 25 sheets* | |
206121018 | 13" x 19" | Box - 25 sheets* | |
206121014 | 17" x 22" | Box - 25 sheets* | |
206121016 | A4 | Box - 25 sheets | |
206121017 | A3 | Box - 25 sheets | |
206121018 | A3+ | Box - 25 sheets | |
206121019 | A2 | Box - 25 sheets | |
206121020 | 24" x 36" 0.610 x0.914m |
Box - 25 sheets | |
206122000 | 17" x 50' 0.432 x 15.24m |
1 Roll - 3" (7.62cm) Core | |
206122002 | 24" x 50' 0.610 x 15.24m |
1 Roll - 3" (7.62cm) Core | |
206122003 | 36" x 50' 0.914 x 15.24m |
1 Roll - 3" (7.62cm) Core | |
206122004 | 44" x 50' 1.118 x 15.24m |
1 Roll - 3" (7.62cm) Core |
Weight (gsm) | 240 or 310 |
Thickness (um) | 468 (240 gsm) / 599 (310gsm) |
Surface feel | Textured |
Surface finish | Matte |
Composition | 100% cotton |
CIE Whiteness | 83,37 (240 gsm) / 83,05 (310 gsm) |
ISO 2471 Opacity | 97.9 (240 gsm) / 98.8 (310 gsm) |
Internally buffered | Yes |
Acid free paper | Yes |
OBA content | None |
Drying time | immediate |
Water resistance | High |
Additional comments | - Mould made : the finest and oldest paper-making technic - Paper base meet the requirement of ISO 9706 - Optimised for pigmented inks. Compatible with dye inks. |
Having tried out several different types of media, it is undoubtedly the Canson® Infinity Aquarelle Ragpaper that is best suited to my images.
It guarantees that the collectors who purchase my photographs will by able to enjoy them for years to come. The colour rendering is exceptional and the watercolour texture enhances the impression of a drawn image which adding a really unique touch to my photographs.
I am also very much in favour of the manufacturing process, which uses 100% cotton and no optical brightening agents, with a natural white colour for more natural looking images.
I use it exclusively for fine art prints and this paper really is of the highest quality.