"To better display my work on Tibet just after troubled times, I looked for ink and paper that offered the right behaviour, rich grey shades, an apparent texture and warm tones.
Having worked in Digital Black & White, I wanted to keep the "noise" of the photos taken with high film speed, whilst breaking its regularity and the contrast linked to the altitude of these areas, as well as the intensity of the looks shared between the people photographed, revealing the uneasiness of the question that is Tibet.